PUBLISHED IN THE HAMILTON SPECTATOR ON JANUARY 12, 1995 AND THE KITCHENER WATERLOO RECORD
BY NICK KREWEN
ERIC CLAPTON calls him "by far and without a doubt the best guitar player alive."
Late virtuosos JIMI HENDRIX and STEVIE RAY VAUGHAN idolized him, and he used to trade licks with Chicago blues legends MUDDY WATERS, HOWLIN' WOLF and WILLIE DIXON.
Yet it's the fans that dictate BUDDY GUY's agenda -- even if it means entertaining them in sub-zero degree weather.
"I played for people outside last year at my club (Legends) when it was 23 below zero," the zealous Grammy-winning bluesman said last week. "There was a line-up outside of people who couldn't get in when I was playing, As I was heading out the door, my manager said, `You can't go out there! It's freezing!' And I told him, `They came to see me and they can't get in . I have to go out there and show them just how much I love them.' And I played out there for about ten minutes.'"
Known for his wailing voice; a sweet, stinging guitar sound and the ability to mimic any style in the world, Guy's loyalty to his audience is unquestioned. They're the ones who supported him, filling clubs, parks and small auditoriums, when the record companies abandoned him throughout the '80s. And the 58-year-old musician refers to how much he loves them and owes them frequently during a phone interview from his home just outside Chicago, conducted at 9 a.m. sharp when musicians half his age are still snoring from a previous night's work.
So it seems strange when Guy -- who began a tour to support his brilliant new album, Slippin' In, earlier this week -- states he intends to cut his touring in half in 1995.
"For the past four years I've played day in and day out, and I don't want people to say, `Oh there's Buddy in Connecticut. There he is in New York. We can see him anytime, because he'll be back next year.' I don't want to wear out my welcome."
Guy says it's a lesson from his mother he's heeded from the days of his childhood back in Lettsworth, Louisiana, when his family sharecropped for a living. By the time he was in his early teens, Guy's family had scrimped enough for electricity to light their cabin, and barter a guitar for a teenager enamored with the music of Howlin' Wolf, Muddy Waters and JOHN LEE HOOKER.
"My mother told me, go play your guitar, but don't eat unless they offer you food," recalls Guy. "Don't wear out your welcome. If you wear out your welcome, people will pull down their curtains when they see you coming. I don't want anybody to pull down their shades.
"I've been very much happy with the way I've been accepted. I look at it like a good meal. You enjoy it, but you don't want it every day."
After growing up in the Delta, pumping gas and working as a janitor at Louisiana State University, GEORGE "BUDDY" GUY cut a couple of demos at a local radio station and sent them to Chicago-based Chess Records. He boarded a train to Chicago, and spent the next six months walking the streets in starvation, in search of a job.
Upon meeting a stranger in the Spring of '58, Guy ended up at the 708 club, where he was challenged by OTIS RUSH to a guitar duel. A few weeks later, Guy's reputation reached the ears of McKINLEY MORGANFIELD -- best known as Muddy Waters -- who took the young guitarslinger under his wing and drafted him as a session player for the Chess Records roster, which also included Howlin' Wolf, Willie Dixon and ETAA JAMES among others.
"I didn't get stuck on any one style," says Guy. "That sort of helped me out."
Produced by EDDIE KRAMER, half of Slippin' In was recorded with DOUBLE TROUBLE, the late Stevie Ray Vaughan's rhythm section.
"Even before Stevie passed, and I didn't have a recording contract, those guys would always drop by the club and say, `I wish we could do something.' My first album was with Eric, JEFF BECK and MARK KNOPFLER, and the second was with BONNIE RAITT. I thought, the third one has got to be with Double Trouble!"
With a Canadian gold album for 1991's Damn Right I've Got The Blues and a live tour rumored to hit Toronto in March, Buddy Guy has at least one milestone left to achieve.
"I'd like to open a few more doors that Eric Clapton opened that are closed to me," says Guy. "I would like for the people to hear some of my music on the radio. I'm not talking about Buddy Guy's music -- just blues in general: B.B. KING, JUNIOR WELLS and JIMMY ROGERS. Just so the young people can hear the originals."
Guy admits that television has responded to programming blues artists on late night talk shows, but he says radio has a long way to go.
"I can see the light at the end of the tunnel, but I'm not at the end of it yet."
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DISCOGRAPHY
1965 -- Hoodoo Man Blues (with Junior Wells) -- Vanguard
1967 -- A Man & The Blues -- Vanguard
1967 -- Left My Blues In San Francisco -- Chess
1968 -- This Is Buddy Guy -- Vanguard
1970 -- I Was Walking Through The Woods -- Chess
1972 -- Buddy Guy & Junior Wells Play The Blues (with Junior Wells)
1972 -- Hold That Plane -- Vanguard
1974 -- Drinkin' TNT and Smokin' Dynamite (with Junior Wells) -- Blind Pig
1981 -- Alone And Acoustic (with Junior Wells)
1981 -- Stone Crazy -- Alligator
1991 -- Damn Right I've Got The Blues! -- Silvertone/Jive
1992 -- The Complete Chess Studio Sessions -- MCA Universal
1992 -- The Very Best Of Buddy Guy -- Rhino
1993 -- Feels Like Rain -- Silvertone/Jive
1994 -- Slippin' In
1996 -- Live/The Real Deal
1998 -- Heavy Love
1998 -- Last Time Around (with Junior Wells)
1999 -- Buddy's Baddest: The Best Of Buddy Guy
UNDATED RELEASES
As Good As It Gets
Bluesmaster
Breaking Out
Buddy's Blues
Buddy And The Juniors
Buddy Guy And Friends
Buddy Guy And Junior Wells
D.J. Play My Blues
In The Beginning
Live At The Checkerboard Lounge
Live in Montreaux
My Time After Awhile
Southern Blues 1957-1963
Stone Crazy
The Very Best Of Buddy Guy
COLLABORATOR
1988 -- Various Artists, Best Of Chess Blues Volume II
1991 -- Various Artists, Antone's Anniversary Volume 2
1991 -- Eric Clapton, 24 Nights
1992 -- Various Artists, Artists On The Move
1993 -- Various Artists, Stone Free -- A Tribute To Jimi Hendrix
1994 -- Various Artists, Rush
1994 -- Various Artists, Jason's Lyric
1995 -- Various Artists, Chess Blues
1995 -- Various Artists, Things To Do In Denver When You're Dead (with The Neville Bros.)
1996 -- Various Artists, A Tribute To Stevie Ray Vaughan
CONTRIBUTOR
1988 -- Willie Dixon, The Chess Box (with Howlin' Wolf, Little Walter)
1989 -- Muddy Waters, The Chess Box
1991 -- Howlin' Wolf, The Chess Box
AWARDS
1991 -- Grammy, Best Contemporary Blues Album -- Damn Right I've Got The Blues
1993 -- Grammy, Best Contemporary Blues Album -- Feels Like Rain
1995 -- Grammy, Best Contemporary Blues Album -- Slippin' In
1996 -- Grammy, Best Rock Instrumental Performance -- "SRV Shuffle" (with Jimmy Vaughan, Eric Clapton, Bonnie Raitt, Robert Cray, B.B. King, Dr. John & Art Neville)
FAST FACTS
Born July 30, 1936 in Lettsworth, Louisiana to Isabel Tolliver and Samuel Guy
In 1960, Buddy signed with Chess Records and became the session guitarist. He signed with Vanguard in 1967, hooking up with harmonica great Junior Wells.
Among the blues classics Buddy has contributed include Sonny Boy Williamson's "One Way Out," Koko Taylor's "Wang Dang Doodle" and Howlin' Wolf's "Killing Floor"
In June 1989 he opened his own club Legends in Chicago.
THANKS: Margaret Spence Krewen, Wade Hemsworth, Philip Bast
©1995, 1999 Nick Krewen, Octopus Media Ink
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